Today we meet Carol-Anne and get a special look at the world
of Japanese Embroidery! The facets of
embroidery are so diverse and yet so similar at the same time. While Japanese embroidery is a different
direction from reproduction samplers it does use many of the specialty stitches
that are found in samplers as well as silks which is a very popular medium in
the world of stitching. Carol-Anne’s
stitching will surely amaze and, perhaps, entice you to give it a try!
Hi Carol-Anne! How old
were you when you first picked up a needle and who taught you to stitch?
*I often say that I must have been born with a needle in my hand
because I don’t remember a time when I did not stitch. I clearly
remember being taught to crochet by the Polish mother of a lady my mum cleaned
for. She didn’t speak a word of English and I certainly did not
understand Polish but I understood what her hands were telling me. But
I don’t have any recollection of anyone teaching me to embroider. I
taught myself from kits and projects in my mum’s weekly magazine. It
was only after I joined the Oxford branch of the Embroiderer’s Guild that I
attended my first workshop.
Caption
- From the Land of the Rising Sun published in My
Weekly. Begun nearly 40 year's ago. I don't think I will ever
finish it now but I might redo it using Japanese Embroidery techniques.
Do you recall what your very first stitched piece was?
*I made a pot stand in school on a piece of lime green Aida, I
think it must have been 8 Count. I remember it had a border of large
pink cross stitches and a row of blue blanket stitches but I can’t recall the
stitching in the centre. My mum kept it for many years until it
eventually disintegrated.
How did you learn about Japanese embroidery?
*At the Oxford branch of EG we have a guest speaker most months.
In September 1994 Margaret Lewis gave a talk on Japanese Embroidery and brought
with her examples of her work. The designs were beautiful and
stitching was exquisite. I thought to myself that I would love to be able to
stitch to that standard. At the end of the talk I asked Margaret if
she taught JE. She did, twice a year on a five day residential
course in Bournemouth. I have been going to Margaret’s courses once
a year ever since.
Caption
- Hanayama, my first Japanese Embroidery. The flower
mountains represent the five seasons, the four that we are familiar with;
cherry and plum blossoms for spring, chrysanthemums for summer, maple leaves
for autumn and pines for winter. Kikko (the hexagons)
represents the fifth season, the cosmos, which is not a season as we understand
them but the continuous flow of seasons year after year.
What is your favourite time of day to stitch? Do you sit
in a set place and what tools do you like to have on hand?
*Any time I am awake! I work full time so stitching
has to fit around work and family life. I try to do some
Japanese embroidery before I leave for work; I aim for an hour but rarely
manage more than 30 minutes. I always another project on the go that
I do in the evenings. Occasionally, but all too rarely, I get a
Saturday or Sunday when I can just stitch all day, bliss!
Caption - Karahana, Japanese gold work. I
prefer to do goldwork in daylight but out of direct sunlight. It can be
difficult to see your stitching with a bright light shining directly on the
work.
Do you use the stick and stab technique, or a sewing
stitch? Do you prefer to stitch in hand, or with a hoop or frame?
* Japanese Embroidery is done on a Japanese embroidery
frame. In principle it is similar to a slate frame but its design is
slightly different. The frame rests flat on a frame stand. The
tension of the fabric forces you to stick and stab. Also JE has many
rules, one of which is that the left hand is always below the frame and the
right hand above, even if you are left handed! I had never used a
frame before I took up JE and it took me a while to get used to it. Now
I use a hoop or frame for virtually everything.
Caption - Suehiro. The foundation stitches
over which the patterns are created are essentially long satin stitches.
The ground fabric needs to be stretched on a frame to prevent puckering of the
fabric or the stitches moving before the pattern is completed.
Do you have a favourite
linen or material that you use for your needlework?
*All Japanese Embroidery is
done on silk but many different kinds of silk. At first I was
terrified that I would ruin the silk but it is a surprisingly forgiving ground
fabric. We don’t ever line the silk so the weight of the ground has
to be suitable for the techniques and amount of embroidery that it has to
support. The Japanese produce an astonishing array of silks and the
ground for each project is carefully selected to enhance the design. A
good example of this is the fabric that Loving Couple is
stitched on. The surface of the fabric is textured to look like
ripples and a silver thread is incorporated in the weave to sparkle like
sunlight on the water.
Caption - Loving
Couple, detail. It is difficult to capture the beauty of this fabric
in a photograph!
Can you tell us about the threads you use for
Japanese embroidery? Are they made of silk?
*All of
the embroidery is done in silk or metallic thread. While the
metallic thread comes in different weights, there is only one silk
thread. All of the threads we use are made by ourselves from the
same flat silk. Flat silk means that it has absolutely no twist in
the thread. It can be stitched flat or it can be twisted in a
variety of ways for different effects. Whether used flat or twisted,
the basic strand can be split to make a finer thread or strands can be combined
to make heavier threads.
Caption - The simple leaves on Camellias shows
the beauty of stitching with flat silk while the top flower and the branch
demonstrate the different textures that can be achieved with different twists.
Is there a specialty stitch or embroidery
technique you enjoy most?
*I used to say that
I am a Jack of All Trades, now I think of myself as a collector of
techniques. If I see something I haven’t come across before I want
to learn how to do it. You could say that my favourite technique is the one I
am currently learning/using. The course I am following for Japanese
Embroidery claims to teach 46 stitches or techniques. JE students
say that there are actually 47 and whichever stitch you learn first, the second
will always be the 47th technique, reverse stitch, otherwise
known as unpicking!
Caption - Himotaba (cords)
use some stitched techniques that I believe are unique to Japanese embroidery.
How do you display your stitched pieces? Do you frame
them?
*Prior to Japanese Embroidery, everything I stitched was made as
a gift for someone else so I no longer have those. I have had all of
my JE pieces framed; it is, I think, the best way to display them. However,
they did not go on the walls for several years; it was my husband who convinced
me that they should be on display.
Do you have other types of hand work that you enjoy?
*As well as Japanese Embroidery silk embroidery, I do JE bead
embroidery. I do love beads; they are so tactile and who doesn’t
like a bit of bling! I very occasionally so a bit of crochet and I
can knit but badly. Generally, I would say I like doing things by
hand and will try anything!
Caption - Floral Melody, Japanese bead
embroidery. This bag is very blingy; I am hoping for a special occasion
so I can actually use it!
Are you currently working on a project that you can share
with us?
*I have several projects on the go but most are
hibernating. I want to complete some (all) of those, so my plan is
to make one of those one of my active projects until they are finished. My
current revived project is the Bird Thimble Holder from The
Essamplaire. I made the body when I first purchased the kit;
currently I am making the feathers. I can make two in an evening but
there are so many of them!
My current JE project is a beautiful piece called Sake
Boxes but I am having a serious mojo problem with this piece. Normally
I like doing gold work but the flowers on this piece are very fiddly and I am
struggling to find a rhythm with them.
I have a third project that I am currently working on, The
Ring o’ Roses Purse by Jacqui Carey. This is a completely
new technique to me so I could not wait to get started on it. I have
not got very far with it yet.
Caption - Sake Boxes, a work in progress
If you can pick just one, which is your favourite needlework
piece? And why?
*This is a tough one! Every piece is important to me
in different ways. If I have to choose a favourite, I would say Venerable
Friends. I think the design is beautiful and I really enjoyed
stitching it but it is a favourite because it was the first piece of Japanese
Embroidery (the third that I stitched) when I felt that I knew what I was
doing. However, if the building was on fire I would probably grab Karahana. Again,
I really like the piece and absolutely loved stitching it and I could not bear
the thought of all of those hours of couching going up in smoke!
Caption - Venerable Friends. There are a lot
of different techniques in this piece that I really enjoyed learning. I
particularly like the basket weave effect on the dark blue scroll.
What other hobbies or interests do you enjoy?
*I recently joined a book
club and that has rekindled my love of reading. I have just read
books 1-5 of the Game of Thrones series back to back and now I am
at sixes and sevens what to read next. I REALLY want to read book 6
but it hasn’t been written yet! Another hobby is supposed to be my
husband’s but somehow I have got sucked in. Three years ago he
bought a Harley Davidson motorbike. I thought he would go out for
days on the bike and leave me to my stitching but, more and more, I am going
with him. We have enjoyed some lovely days and weekends away but I
find it very difficult to stitch on the back of a motorbike!
Thanks so very much, Carol-Anne, for sharing your extraordinary work in Japanese
embroidery with us all. It is always fun
to learn more about different techniques in the world of embroidery. It is truly amazing all that can be done with
needle and thread. The colorful silk and sparkly metallics
combined with technique create such dramatic effect. We can’t help but be inspired! To learn more about Carol-Anne and follow her
embroidery journey please visit her blog here.